- You wanna try that for me Alex?
- – No. – No?
- – How about Nick? – No.
- Uh. No.
- Okay, maybe you are to young.
- Oh, Michelle, honey, I’m gonna get the door.
- And you know what you guys if you finish these delicious lima beans you can have dessert.
- I’ll show you guys how to get dessert.
- Comet?
- Thank you.
- Thank you.
- Just be cool and she’ll never know.
- How did you do Michelle?
- Hey, how did you get them to finish their lima beans?
- Well, it’s a kid thing.
- Oh, really?
- Hey, guys, how are the rush hour renegades?
- – Doomed, but thanks for asking. – Yeah.
- The radio station’s getting a new manager Alison “The Ax” Axelrod.
- We heard that she’s firing everybody and switching to classical music. We’re talking pre-Blue Suede Shoes here.
- Let’s face it, Jess. We’re history, dust, yesterday’s garbage.
- Becky just put us out on the curb.
- – Yeah, it’s trash day. – Yeah.
- Wait a minute. Whoa, whoa, whoa. Get back here. Sit down.
- Now, what’s wrong with you guys? You’re professionals.
- You know when I was on “Good Morning, Omaha I had to do the farm reports as Becky, the milkmaid.
- They made me sign off with a pig call.
- Well, not a porker, but close.
- Oh, Jess, oh, please..
- Look, Vicky’s gonna be here any minute with her mom. She’s an interior decorator. And I don’t want any footprints on the table.
- Don’t worry, she’s not gonna be checking for footprints she came here to check you out.
- No, she didn’t. She’s in town accepting an award.
- Yeah, that and to grill you like a shish kebab.
- You know, Danny, once you meet the mother everything in the relationship changes. This is a real milestone for you and Vicky.
- Come on, Joey, Vicky and I are doing great. Her mom’s not here to check me out and I’m not worried.
- Well, you know, this is also your chance to check her out.
- You meet the mom, see what the daughter’s gonna look like in about 20 years.
- Fine, let her check me out. I’ll check her out. I got nothing to hide.
- It’s check-out time.
- Mom, this is Danny.
- Danny, this is my mother, Liz Larson.
- Hi.
- It’s, uh, it’s nice to meet you, Liz. And congratulations on your award.
- Well, it’s nice to meet you, Danny.
- Nice to have you both meeting.
- Uh, mom, this is Joey and Jess, Rebecca, Comet
- Stephanie, and Michelle.
- Dad, Vicky’s gonna look good when she gets old.
- [chuckles] Kids you know, to them, everybody’s old.
- They think, I’m ancient, so that would make you..
- Kids, why don’t you show Liz the rest of the house?
- – Oh, yeah. – My room first.
- That’s good. Let’s hurry on up there.
- Oh, boy.
- So, Liz, what do you think?
- Oh, window seat, corbels. This room has all the classic features.
- Mrs. Larson, what would you do if you were redecorating
- this room for say, an heiress or a princess?
- Or a fifth grader and her sister?
- [chuckles] Hold on, girls Mrs. Larson is not at work today.
- Oh, no. No, it’s perfectly alright.
- Now, in here, I think that I would
- splash these walls with bright colors.
- I did that with my finger paints but daddy didn’t like it.
- And I’d use contrasting patterns to make the room vibrate with youth and excitement.
- Perfect. She’s youth, and I’m excitement.
- So, dad, what do you think? Can we splash the room and make it vibrate?
- – Please, please. – Please.
- Oh, girls, why change a perfectly good room? Let’s not just have change for the sake of change.
- You know, Danny, I understand.. You know, I see clients like you all the time.
- Some people are just uncomfortable with change.
- I-I’m not uncomfortable with change.
- Uh, I-I change my socks every day. Twice if it’s humid.
- Steve, lets not give up yet. There are 25 guys on the wrestling team.
- You gotta be able to fix me up with one of ‘em.
- Well, you know, Kimmy, it’s not that easy, uh. Bobby’s going with someone and Chuck’s still not over his last girlfriend
- and all the other guys, know you.
- Oh, good, everybody, um I’d like you to meet Vicky’s mom, Liz Larson.
- Liz, this is my daughter D.J.
- – Hi. – Her friends Kimmy and Steve.
- They just eat here.
- So, what do you think of our Mr. T.? He’s a little skinny, but he’s also uptight.
- Oh, that’s me.
- Uh. Oh, it’s my office. I’m sorry. I gotta take this.
- Well, hurry back.
- So, this is awkward.
- Meeting mom. I guess, that means wedding bells.
- ♪ Here comes the bride ♪ Steve. ♪ All dressed in white ♪
- Hey, Steverino, you know from this angle your caboose looks really good.
- You know, Danny, I wasn’t going to say anything
- but, since it’s come up
- what are your feelings on the subject?
- Uh, look, to be honest with you I haven’t given that much thought to Steverino’s caboose.
- I’m talking about marriage.
- Marriage?
- Well, I-I think marriage is-is a wonderful thing.
- If-if you wanna wind up married.
- Coffee?
- Danny, I would hate for Vicky to waste her time in a relationship that wasn’t going anywhere.
- Oh, no, no, Liz, we’re going somewhere. Just next month, we’re goin’ to Napa Valley.
- Do you always make jokes when you want to avoid a subject?
- No. No, sometimes I shampoo the dog.
- There I go again.
- So, how are you two doing?
- – Great. – Great.
- Great.
- Hey, Jess, listen. I know how strongly you feel about rock ‘n’ roll but I think we should be flexible.
- I mean, if Alison Axelrod wants classical music I think we should be prepared.
- Okay, alright, check this out.
- Flight of the bumblebee by Rimsky-Korsakov.
- Alright, that’s cute.
- Look at these..
- I don’t know.
- Look, at this bumble brain.
- Now, see, it’s not because I love rock. This is business. I mean, look at these ratings. People love us out here.
- I mean, I don’t get this axe person. I mean, if she switches over to classical she doesn’t know her axe from a hole in the ground.
- You know, something, Jess. We’ve got a great thing going here. I think, we just got to fight to keep it going.
- – My, buddy. My man. – Alright.
- – Shakabraza. – Shakabraza.
- – Okay. – Alright. – Around the back for seven. – Alright.
- Whoa, over the river through the woods. I’m going to grandmothers house.
- Alright. Well, I’m John Travolta. – I’m stayin’ alive. – Stayin’ alive.
- Yeah, alright. Well, let’s lambada. – Let’s lambada. – Yeah, alright.
- Stop it.
- – Mom, what are you doing here? – Hi.
- I have a surprise in the girls’ room.
- – A surprise? Alright. Let’s go. – A surprise? Alright.
- Well, have-have I mentioned I’m not really a surprise kind of person?
- I get to live here?
- Mrs. Larson, it’s beautiful. Thank you so much.
- Oh, you’re welcome, darlings.
- Mom, it’s stunning.
- Danny, isn’t it stunning?
- Oh ,I-I am stunned.
- It’s It’s just my way of apologizing for-for yesterday, Danny.
- I, I know that we didn’t get off to such a good start.
- – Liz, this is really– – Please, don’t thank me. I called in some favors and used some floor samples and, uh..
- I really enjoyed doing it for the girls.
- And we’ve really enjoyed having it done for us.
- Oh, I, I’m-I’m really glad everybody really enjoyed themselves.
- Vicky, can I talk to you for a second?
- Excuse us, really.
- Danny, is there a problem?
- – Yes, there is. – Then why are you smiling?
- Oh, please, come here.
- Vicky, your..
- Your mother had no right to redecorate the girls’ room.
- Danny, I know she comes on little strong sometimes but her intentions were good.
- You think it’s good to totally rearrange my life?
- It’s not your life, Danny.
- I-it’s a room. A room Stephanie, Michelle, love.
- Look, sometimes we all need a little change.
- A little change? What is it with you people and change?
- “You people?”
- What? You and your mother.
- Oh, my God.
- You’re-you’re doing that that “Hmm” thing.
- What, what “Hmm” thing?
- That “Hmm” thing, and oh.. Look, now you’re pacing.
- Well, what’s wrong with pacing?
- Oh, look, you got your hands are on your hips. You’re acting just like your mother.
- – And that’s a bad thing? – No, I think it’s fine.
- It just it gives me a little bit of insight into a side of you I didn’t quite know before.
- Oh, well, I’m seeing another side of you, too. And I think I’ve seen enough of it.
- Oh, really? Well, you know one thing?
- If that’s how you feel maybe you should just..
- Leave.
- Enter.
- – I can’t sleep in that room. – What are you talking about?
- Vicky’s mom just redecorated it for you.
- – It’s beautiful. – I know.
- But I can’t go back in there.
- What? Where are you gonna sleep?
- This will do.
- You, too?
- Oh, no. Forget it.
- Dad, we have a situation here.
- Don’t worry, when Stephanie snores just pinch her nose.
- Get them out, please.
- Steph, Michelle, why aren’t you in your new room?
- Dad, we can’t go back in there.
- That’s the breakup room. It made you and Vicky fight.
- How can we go back in there knowing how miserable it made you?
- Miserable? No, no, no, no.
- No, I’m happy, I’m-I’m thrilled.
- I-I’m just shy of giddy.
- Yeah, you know ‘cause all those weekends that I used to get excited about doing things with Vicky. Now I can get excited about other things.
- Really cool things that I-I can do all by myself.
- Like what?
- Like, uh, scuba diving.
- Scuba diving?
- Girls, come on, get your things together. And ge-get into your new room so you can be as happy as I am, okay. Happy, happy, happy.
- He’s miserable.
- I’ve never seen him so sad.
- Did I miss something?
- Alright, Joseph, that was a pretty good set we did the rock ‘n’ roll music
- I love rock ‘n’ roll
- rock around the clock, rock-a-hula, baby
- and my favorite the theme from the Rockford files.
- Rock ‘n’ roll. We’re the rush hour renegades.
- The news is next. Rock on.
- – That was for the axe. – That’s right.
- We go down, we go down, rockin’, buddy.
- – Shakabraza. – Shakabraza.
- I’m John Travolta. I’m stayin’ alive.
- Don’t start.
- Jess? Jess, look. Look. Talking to Artie. It’s gotta be the axe.
- (Joey) ‘I’ll bet she’s giving out pink slips.’
- Poor Artie, that guy’s been here 31 years
- and they throw him out like a pair of old disco boots.
- ‘Boy, she is cruel.’ She is heartless.
- She is cold.
- And really cute.
- – Hi. I’m Alison Axelrod. – Hi.
- – Joey Gladstone. – Hi.
- – Hi. – And you must be Jesse.
- Yeah, I must be.
- I have decided to make a few changes. And these are for you.
- Jesse, and Joey.
- Let me tell you something. I grew up on this station, KFLH, okay. You were playing The Beach Boys, The Beatles, The Who.
- That’s why I learned about rock ‘n’ roll right here If you’re gonna ruin the best station in this town
- it’s fine with me but you can do it without us.
- Because, we quit. Let’s go, Joseph.
- Joey, what are you doing?
- Flight of the bumblebee by Rimsky-Korsakov.
- Traitor.
- If he’s gonna quit, I’m gonna need that parking pass back.
- Parking pass?
- Yeah, I thought we’d go on an assigned parking system.
- You know, I-I just was afraid that if everybody came in all at once then they’d all get jumbled up. And you know, it’s my first day
- and I’m just trying to be nice.
- You know what, uh, eh, excuse me.
- I’ve got to head someone off at the elevator.
- I’ll be, I’ll-I’ll give you another hug when I–.
- Hold on. Jess.
- F-13. What a great spot.
- Thanks. It’s-it’s a great spot. I gotta perfect view of the car in front of me. Thank you.
- Did you guys think I was gonna fire you?
- – No. Absolutely, no. – No. No.
- It’s just that.. Not that we believed it. But we heard this vicious, silly rumor that you know you gonna fire everybody and switch to classical.
- [scoffs] Why would I do that?
- I don’t know, I mean, just we heard you had this this moniker you know, “The-the Axe.”
- The axe. I hate that name.
- I don’t know how it got started.
- Let me just give you a little piece of advice I mean if you gonna give out new-new parking spots. you shouldn’t make ‘em pink us. We thought you firing Artie.
- Oh, I did. The guy is dead weight.
- See ya.
- Here comes dad.
- Great. This is going like clockwork.
- Now, just do what I do. Look casual.
- Hey, girls, what are you up to?
- Nothing.
- Nothing.
- How about you?
- How about you?
- Well, I signed up for scuba lessons. Got my wet suit, right here.
- Well, I can’t wait to be underwater not thinking about Vicky.
- I gotta go find a cold ocean.
- See you later, dad.
- See you later, dad.
- Hey, guys, how’s dad doing?
- He’s gonna be doing great. We’re getting him and Vicky back together.
- We got a plan.
- You two came up with a plan? You can’t even match your socks.
- For your information it’s an extremely sophisticated and intelligent plan.
- Yeah, we called Vicky and we told her that I got my head stuck in a fence.
- That’s insane. No one’s gonna believe that.
- Wow. That sounds close.
- (Vicky) ‘Open up, girls. I’ve got the fire department.’
- The fire department is here?
- They don’t see a girl stuck in the fence we’re gonna look like idiots.
- Oh, you’re way past that.
- – ‘Girls?’ – Stall ‘em.
- Okay, come on, backyard.
- Can we talk about this?
- Quick. Stick your head in.
- Yeah, right.
- Just do it.
- You are so bossy.
- Hey, twerp, this is private property.
- Shh, I’m in the middle of a plan.
- Well, as long as you’re here do you like grilled sardines?
- Are you sure you wouldn’t like a nice bran muffin?
- Oh, there she is. Oh, Michelle, are you okay?
- Kids, they’ll stick their heads in the darndest places.
- Hey, what is going on out here?
- You tell us, aquaman.
- Michelle is stuck in the fence.
- Alright, everybody stand back.
- Come on, Gus, let’s chop her out.
- “Chop?”
- The plan is over.
- Yeah, that “Chop” thing works every time.
- I am so sorry, the girls called and said that Michelle’s head was stuck in the fence . I thought it was an emergency.
- Yeah, I’m sorry too, gentlemen. I have no idea why my daughters are acting so weird.
- I could take a guess.
- Thanks, guys.
- Hey, girls, you know better than to say something’s an emergency unless it really is.
- I’m sorry. We made up that story to get Vicky to come over so you two would make up.
- Next time you have a plan use your own head.
- Vicky, I-I’m sorry about this.
- Thanks for being so concerned about Michelle.
- No problem.
- Vicky, listen, um..
- Since we broke up, I, uh.. I really haven’t been myself.
- Well, you’re certainly dressing differently.
- Well, I started taking up scuba diving to try to keep my mind off how much I missed you.
- Did it work?
- No, but the chafing distracted me for a while.
- I’m sorry, I’m sure your mother had great intentions but.. But I’m not ready for that kind of change.
- If it bothers you so much, go back to the old wallpaper.
- No, no, it’s not the girls room. I’m-I’m talking about marriage.
- Marriage? Who’s talking about marriage?
- Your mother.
- I’ll kill her.
- Danny, just because my mother brought up marriage it doesn’t mean that I’m ready to talk about it.
- Well, then everything’s settled.
- Everything’s not settled.
- Why didn’t you tell me what was really bothering you?
- Oh, I don’t know, everything was changing so fast that I just I didn’t know how to deal with it.
- Well, change doesn’t have to be a bad thing.
- Change is really difficult for me, Vicky. I’ve been using the same oven mitt for 12 years.
- I was thinking more about our relationship. It won’t grow without change.
- Well, I can deal with change
- if, uh, if we can do it together.
- I love you, Vicky.
- I love you, too. Oh, I missed you.
- I missed you, too.
- You know what? I gotta get out of this suit. – It’s really starting to bunch. – Sure.
- Oh, uh, sweetheart?
- Yes.
- You’re standing on my flipper.
- – Oh. – Thank you.
- すまなかった
- 心配かけたね
- いいのよ
- 待って
- 別れてから 自分を見失ってる
- 見れば分かる
- 君を忘れるために ダイビングを始めたんだ
- 成功した？
- すり傷が出来ただけ
- ごめん お母さんの 押しに戸惑ったんだ
- イヤなら 壁紙を張り直せば？
- 部屋じゃなく結婚の話だよ
- 結婚話を誰が？
- お母さん
- なんて母親
- 結婚話は 私の意思とは無関係よ
- じゃ 解決だ
- いや まだか
- 早くそう言ってよ
- 状況の変化に ついていけなくて
- でも変化は必要よ
- でも苦手なんだ 鍋つかみも12年 同じ物だ
- 私たちの関係も 変化なしじゃ進まない
- いや 君と一緒なら 変化していける
- 君と一緒なら 変化していける
- 愛してる
- 私もよ 寂しかった
- 僕もだ
- これ 脱ぐよ 食い込んできた
- ねえ ビッキー
- 何？
- 足ひれ 踏んでる
- どうも
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